papspace
sunsetgun:
“From a letter Thomas Pynchon wrote to his former Cornell friend and roommate, writer Jules Siegel, in the early 1960s – Siegel published a portion of the letter in a 1965 issue of Cavalier magazine. He wrote that, “Pynchon, hiding out...

sunsetgun:

From a letter Thomas Pynchon wrote to his former Cornell friend and roommate, writer Jules Siegel, in the early 1960s – Siegel published a portion of the letter in a 1965 issue of Cavalier magazine. He wrote that, “Pynchon, hiding out from the world in Mexico City, wrote on blue-line graph paper to a suicidal writer friend”:

“When Marilyn Monroe got out of the game, I wrote something like, ‘Southern California’s special horror notwithstanding, if the world offered nothing, nowhere to support or make bearable whatever her private grief was, then it is that world, and not she, that is at fault.’

“I wrote that in the first few shook-up minutes after hearing the bulletin sandwiched in between Don and Phil Everly and surrounded by all manner of whoops and whistles coming out of an audio signal generator, like you are apt to hear on the provincial radio these days. But I don’t think I’d take those words back.

“The world is at fault, not because it is inherently good or bad or anything but what it is, but because it doesn’t prepare us in anything but body to get along with.

"Our souls it leaves to whatever obsolescences, bigotries, theories of education workable and un, parental wisdom or lack of it, happen to get in its more or less Brownian (your phrase) pilgrimage between the cord-cutting ceremony and the time they slide you down the chute into the oven, while the guy on the Wurlitzer plays Aba Daba Honeymoon because you had once told somebody it was the nadir of all American expression; only they didn’t know what nadir meant but it must be good because of the vehemence with which you expressed yourself.”

brucesterling:
“*All Ages Show – especially you, punk grandpa
”

brucesterling:

*All Ages Show – especially you, punk grandpa

sunsetgun:
“From a letter Thomas Pynchon wrote to his former Cornell friend and roommate, writer Jules Siegel, in the early 1960s – Siegel published a portion of the letter in a 1965 issue of Cavalier magazine. He wrote that, “Pynchon, hiding out...

sunsetgun:

From a letter Thomas Pynchon wrote to his former Cornell friend and roommate, writer Jules Siegel, in the early 1960s – Siegel published a portion of the letter in a 1965 issue of Cavalier magazine. He wrote that, “Pynchon, hiding out from the world in Mexico City, wrote on blue-line graph paper to a suicidal writer friend”:

“When Marilyn Monroe got out of the game, I wrote something like, ‘Southern California’s special horror notwithstanding, if the world offered nothing, nowhere to support or make bearable whatever her private grief was, then it is that world, and not she, that is at fault.’

“I wrote that in the first few shook-up minutes after hearing the bulletin sandwiched in between Don and Phil Everly and surrounded by all manner of whoops and whistles coming out of an audio signal generator, like you are apt to hear on the provincial radio these days. But I don’t think I’d take those words back.

"The world is at fault, not because it is inherently good or bad or anything but what it is, but because it doesn’t prepare us in anything but body to get along with.

"Our souls it leaves to whatever obsolescences, bigotries, theories of education workable and un, parental wisdom or lack of it, happen to get in its more or less Brownian (your phrase) pilgrimage between the cord-cutting ceremony and the time they slide you down the chute into the oven, while the guy on the Wurlitzer plays Aba Daba Honeymoon because you had once told somebody it was the nadir of all American expression; only they didn’t know what nadir meant but it must be good because of the vehemence with which you expressed yourself.”

caringsuggestion:

Maybe if humans were like plants we’d take better care of each other. Humans can die from the inside if nobody’s checking to make sure we’re watered, to make sure we’re getting enough sunlight. Humans look perfectly okay on the outside when neglected but plants can be seen withering away. Please don’t let the pain of the people you love go unnoticed. Please pay attention to the signs.

caringsuggestion:

Maybe if humans were like plants we’d take better care of each other. Humans can die from the inside if nobody’s checking to make sure we’re watered, to make sure we’re getting enough sunlight. Humans look perfectly okay on the outside when neglected but plants can be seen withering away. Please don’t let the pain of the people you love go unnoticed. Please pay attention to the signs.

You don’t know heartbreak until you’re standing infront of the person you love more than anything, knowing it’s time to say goodbye.
Goodbye. (via written-on-polaroids)

18thcentury-turnt:

morelikecreamhuff:

nethilia:

nopeabsolutelynot:

fangirlingoverdemigods:

tyleroakley:

peacelovelesbian:

libby-on-the-label:

busterposeys:

at what point in history do you think americans stopped having british accents

image

Actually, Americans still have the original British accent. We kept it over time and Britain didn’t. What we currently coin as a British accent developed in England during the 19th century among the upper class as a symbol of status. Historians often claim that Shakespeare sounds better in an American accent.

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whAT THE FUCK

I’m too tired for this

Always add in the video that according to linguists, Native southern drawl is a slowed down British.

T’ be or not t’be, y’all.

Fun fact: Same thing happened with the French accent. French Canadians still have the original French accent from the 15th century.

Êt’e ou n’pô zêt’e, vous z’auts.

I’ve been trying to find this post for months. I’m freakishly obsessed with this and want the truth of what early colonists sounded like.

archatlas:

Fireflies

Each year, Tivoli, New York photographer Pete Mauney awaits the arrival of the fireflies, and for about three weeks each summer, the bioluminescent insects settle beneath the moonlight around his house on quiet evenings. He shoots almost every night.

When asked if he misses the fireflies once they’re gone, the photographer responds, “yes and no.” If they followed him year round, he admits, they would “drive me kind of nuts.” After all, the magic of the insects lies in part in their brevity. They’re here one night, vanished the next.

Some of Pete Mauney’s firefly photos are available via 20×200. You can follow his blog here.

Images and text via

It’s not what you look at that matters, it’s what you see.
Henry David Thoreau (via thecalminside)